
Akram Khan's Giselle
The unforgettable masterpiece
Priority Booking Dates
ENB and ENO Members and Supporters Priority Booking
Thursday 20 March, 12.00
General on sale
Tuesday 25 March, 12.00
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“A triumph” (Evening Standard), “sensational” (The Stage), “staggeringly beautiful and utterly devastating” (The Sunday Express) – critics have hailed Akram Khan’s Giselle as one of the most electrifying and memorable performances of the past decade.
English National Ballet brings it to the grand stage of the London Coliseum in January 2026.
As the curtain rises, dancers in shadow push against a forbidding wall. From that moment on, Akram Khan’s Giselle stuns with powerful images.
This bold re-imagining of the great romantic classic Giselle isn’t just something you watch: it’s something you feel – with every heartbreaking step of the story.
Giselle is part of a community of migrant workers, the Outcasts. A huge wall separates them from the factory Landlords, who have long exploited them. Her lover, Albrecht, joins Giselle’s group – but unknown to her, is in fact a Landlord himself. When the truth is revealed, Giselle’s tragic fate is sealed. She joins the Wilis – the ghosts of women who seek retribution on those who have wronged them. Can Giselle’s love save Albrecht from their vengeance?
Akram Khan’s mesmerising choreography blends ballet with classical Indian dance kathak and contemporary movement, harnessing groups of dancers to dial up the intensity in every scene.
Atmospheric lighting by Mark Henderson and a towering set by Academy Award-winner Tim Yip (Crouching Tiger, Hidden Dragon) conjure up a condemned factory and the vengeful ghosts that appear in its shadows.
The ominous score by Vincenzo Lamagna, adapted from the original by Adolphe Adam, is performed live by English National Ballet Philharmonic. Layered with a rumbling soundscape, it weaves and pulsates around the theatre.
Whether seeing Giselle for the first time or making a return visit… this is an experience you won’t forget.
“Do not miss this electrifying triumph”
“With its choreography for stabbing feet and grieving arms, its resonant images and faultless atmospherics, Khan’s Giselle should haunt us for years to come.”
“It may well rank as a masterpiece of 21st century dance”
“It doesn’t matter how many times one sees it, the impact is just as devastating”
“A monumental production”
“Packs an impressive punch. English National Ballet deliver it more punchily and chillingly each time it returns.”
“Stunning – all of it.”